Louis, his 2001 bestseller, The Corrections, signaled his tendency to write an American sort of Buddenbrooks, to conjure contemporaneous America not by going for a cartoonish, zeitgeist-y heroic moreover by deconstructing a familys history to hand us a wide-angled portrait of the country as it rumbled into the materialistic 1990s. eon The Corrections attested to Mr. Franzens discovery of his own lithesome voice and tamed his penchant for sociological pontification, the novel was something of a hybrid in which the authors satirical instincts and mis anthropical view of the world sometimes seem! ed at odds with his new drive to create intacty three-dimensional people. It felt, at times, as if he were self-importantly inflating the symbolic meaning of his characters experiences, even as he condescendingly attributed to them every venal quality from dissimulation and dressing table to paranoia and Machiavellian conniving. In the opening pages of Freedom, this active seems even more exaggerated,...If you want to get a full essay, order it on our website: BestEssayCheap.com
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